Drums

This Native Eyes we had the darndest time making a fire. We broke some bowstrings, a bow, and wore down a few spindles before finally getting a coal well after sunset, and only after we'd all decided to cooperate on one kit.

The next day we had a mobile bird sit with the ducks on the Bolinas lagoon. They are highly sensitive meters of one's concentric rings.

A sideshow for the day, but my personal favorite part, was working with traps and snares. One of the Cultural Mentors set up a deadfall and caught some atypically large prey. We should have known that baiting it with field guides was a bad idea in a crowd of naturalists.




I also learned how to set up one type of rabbit snare. In a real trap, one would of course use fine, non-orange cord or wire.

For the rest of the day we worked on making drums. The method we learned from Matt Berry uses no nails or pegs, just the tension of the drum head and lacings and frame, like a mortarless stone arch standing with it's concerted but opposing pressures.

The process starts with skin.

We'd soaked it in lye.

And removed the hair, leaving the grain layer on.

Then we rinsed them clean, and cut out drum skin forms.


The remainder of the skin we cut into 1/4 inch lacing to bind the skins to the frames.


We made the frame with wood: three feet or more of wrist-width straight-grained even-width tree limb. I used a redwood bough.

We cut them into even lengths, then split them lengthwise as evenly as possible.

Then we mitered them to 22.5 degree angles on the ends to form a trapezoid.

Most brave folks used the chop saw. I used a miter box and hand saw.

Next we glued the frames together and chinked the gaps with swdust and glue, then bound them with electrical tape to keep the pieces in tension as they dry overnight.

We started a pot of hide glue by boiling old rabbit skins, fur and all, over a nifty portable wood stove. The glue wasn't ready by the time we needed to glue our frames, though, so we used storebought wood glue.

And there the process stopped for us. RDNA continued the process and completed their drums, but Native Eyes had to leave the next day. We'll revisit drum making later on, with the addition of the skin to our drum frames.