Native Creativity

We began this week with a visit to a pond. We waded the muck and cut cattails again, with a boat crew and the youth contingent all helping out to harvest more than we had the previous week.

We hauled the thatching material back on big garden carts and on our backs, and got about the project of finishing our shelter.


I was having a hard time being social and productive, owing to a perfect storm of challenges in my life. I needed time away from the thoughts of the human world so I took off and went wandering while the construction continued. I trailed renegade deer tracks out of the garden and up Wish Creek, squeezed through a deer-sized hole in the fence (I wanted to avoid the gates where I might encounter other people), and followed the creek up between the ridgelines.


The landscape was a riot of edibility, usefulness, beauty and of course toxicity. In four square feet of stream bank I found something like nine edible and useful species. I remember noticing miner's lettuce (yummy leaves), chickweed (leaves), cleavers (leaves), cow parsnip (stalk), Oxalis (leaves), stinging nettle (leaves), yerba buena (leaves), strawberry (leaves), and bracken fern (young fiddleheads). They were mixed liberally with highly medicinal and poisonous species such as hedge nettle, figwort, wild cucumber, and poison oak. Nearby the milkmaids and pink flowering currant were in full bloom and Anna's hummingbirds sang at each other across their flower patches. I was interested in the edibles since I brought no vegetables with me for dinner, but I walked on.


Following the creek I came to a fern-draped ravine. When I was 13 I dreamed of a ravine almost exactly like this one. In that dream I became a buck deer and followed a red fox into the creek canyon. In that dream, which I still remember with perfect clarity, I became lost and transformed in the maze of caves behind the watercourse. In this canyon I found my feet on a deer trail, and there in the churned earth was evidence of the trickster that had passed here before me.



I followed deer trails up and around ridgelines, along steep banks that threatened to crumble and avalanche from under me, and after a time began searching for tinder and food for the evening's fire and meal. I continued upward toward the pink-fringed, darkening sky. I carried no timepiece but something internal told me that my friends at camp had finished and would now be starting both fire and food for the evening.



Now with purpose behind my wandering, I crawled from the oak woods, through a blackberry patch that fringed a clearing, and into the light of the setting sun atop the west ridge. I was greeted by an old friend, Yerba Santa, waving in the evening breeze. All around me were dead bracken fern fronds, crisp with the day's sun. And under the cover of last years dieback, sprouting from the live rhizome, were fiddleheads. I had both my tinder and my dinner.

The photo to the left shows the three-part structure of bracken. It does show a fiddlehead, but one that has unfurled to a point at which I question it's edibility. The photo below is of a fiddlehead in it's most delectable stage. I collected a modest amount. I eat them sparingly, and only once or twice a year, since consumption of large quantities has been correlated with certain cancers. I have not yet found a report that identifies any constituent of the fern as carcinogenic, however, and they are a prized edible in many cultures.


The rest of Native Eyes had completed our shelter while I was away. I brought the small bounty of my wander back to camp, helped to light the fire, and shared the new taste of spring ferns with everyone.


I found deep satisfaction at returning from my solo time and bringing home what resources I found. I was satisfied in spinning up a coal from sticks harvested by my own hand and blowing into flame the tinder I carried from the ridgetop. And I was satisfied in sheltering under grass and the soft lines of tree limbs that may, in life, have served as a nursery to the hawks that circle over this valley.




The next morning, after a rainy and predator-oppressed bird sit, Ane Carla Rovetta joined us for art and taxonomy.


We started with a look at taxonomic divisions: domain, kingdom, phylum, class, order, family, genus, species (if you're an animal). Following the Chordata phylum, we made simple sketches of frogs and discussed the changes that occurred in chordate evolution from aquatic to terrestrial forms. We sketched an egg and discussed the revolution of "enclosing the pond." And finally we sketched a bird.

As we began drawing the main units of bird motion, I heard an urgent squawk from outside. A scrub jay swooped in and said, with phrases in Jay-speak I haven't heard before but an unmistakable tone of voice, "something really intense just happened!" The jay kept squawking. Ane Carla kept sketching and talking about birds. Everyone else kept chalk to paper and sketched away, trying to keep up with Ane Carla's presentation. But with the jay's voice louder in my mind than Ane Carla's, I simply couldn't pay attention. I got up and snuck out the door to see what the fuss was all about.

White-crowned and song sparrows popcorned around the garden veggies, alarming consistently. The jay perched on a spindly shoot from a pear tree and stared down at a spot among the brassica patch, silent now, and intent. On the slope just feet from the garden, a remarkable sound: every wrentit alarming at once, the brush on the hillside seeming to purr and click with their agitation. A Bewick's wren added his alarm from higher up the slope, and a spotted towhee as well. Above us two redtailed hawks circled, one with a forked stick in it's talons. Could they be causing such a disturbance? But that didn't make sense. These redtails were over this valley all the time, and I have never seen them take birds. I have never seen the birds respond to the redtails this way, either. I waited. The jay got bored and flew off, and the sparrows calmed and dispersed like rubberneckers deprived of street drama. I was about to give up and go back to sketching when the sound of wings burst out of the brassicas. A tiny hawk no bigger than a robin, clutching round, brown feathery prey in it's talons, flew up and away to the shelter of a pine.

I went back inside and sketched a sharp shinned hawk.


We finished out the day with natural inks, paints, and chalks with Ane Carla. We cut our own turkey quills (dyed festive colors by Michael's Craft Supply) and made pens, sketched with acorn and iron, black tea, and black walnut. We ground pigment, made plant-based paintbrushes, and mixed paints with vegetable gum, or egg yolk, or milk binders. Finally we took the excess earth pigments, added a dribble of soap and water, and rolled them into sticks of pastel chalk. We rounded out the colorful, crafty, art-filled evening with stories told and performed by our own RDNA-ers.

Story Tracking

This week we were greeted by a grisly character as we arrived at Venture. He'd been found dead on the road, and retrieved by a fellow NE-er for our edification. Take a closer look at those incredible feet! We considered skinning him and tanning his fur, but our mentor's stories of these animals burrowing into carcasses and carrying botulism bacteria on their fur deterred us.

Our mission this week was to return to Running Pig Ravine and fill in some more data on the pig's whereabouts and habits. We broke into hunting parties again, and I found myself in the company of Josh Lane of the Shikari Tracking Guild and Carl Keller of the Ozark Tracker Society. We trailed and dawdled and were generally the slowest, most distracted party on the landscape.



We wandered across open bunchgrass prairie dotted with pines and came to the edge of one of the ravines. This one needs a different name, since Running Pig Ravine, to the south, has most of the pig sign. As we tested the edge of the ravine for ways down through the brush, three barn owls ghosted out of the pines, one after the other. They swooped low over the ravine and landed, invisible again, in the willows. Under the trees, the earth (and some limbs) were speckled with pellets. Splat! Might this ravine be christened Owl Pellet Palace?


We crossed the ravine and came to the next, our Pig place. Walking toward the edge, one of our party felt his attention drawn repeatedly to a lone pine. "Think someone could be hiding on us in there?" he wondered. I supposed that it was possible, so we approached.


We found no watchers, only a squeaky branch. I stood pondering what could have drawn us over, when the others pointed at something near my feet. A mound of pine needles sat at the point of an eight-or-more-inch-on-a-side triangle of scraped-up pine duff. Further under the tree we saw similar patterns of scrapes. We crawled around under the pine and sniffed the mounds until we found one that still held a sharp urine odor. I'm left wondering if our Shikari Trackers have cougar radar. Or was it just the squeaky branch that drew his attention?


With a mental note to return with a trail camera to that spot, we continued down into Running Pig Ravine, hoping for more pig stories. At the bottom, we found deep troughs in the ground with pig bristles stuck in the mud.



We picked out the tracks to finally reveal some decently clear pig tracks. Look closely to see the dewclaw impressions behind and out to the sides of the heels.


Back at the top, on the northern lip of the ravine, we were treated to a profusion of pig poo. How could we have just walked past this much scat on our way down?


The sky and sea lit up silver as we headed home.


We brought back so many stories from the land that our debrief session with our mentors ran late, and for the first time we willingly skipped our routine of cooking on a primitive-made fire that night. I was happy to have had such a good series of questions from our mentors, and I also felt the loss of fire as one of my best teachers for that night. The next day, in conversation with one of our mentors, I committed to keeping the routine of fire-by-friction alive for the rest of the year.

The next day was devoted to story, with Native Eyes, RDNA Essentials, and Cultural Mentoring all staying at Venture to learn from Ane Carla Rovetta. Ane Carla told us stories from indigenous cultures around the world, and stories of her own storytelling adventures. She shared an outlining technique that helped us take written stories from her vast collection of books and turn them into performable pieces of oral story. The key, as far as I can remember, is to outline the story so that it becomes a series of images and other sensations in one's mind's eye. The more vivid the sensations, the more the story tells itself.

Ane Carla even told us a story about stories, given to her by an indigenous storyteller from the storytellers grandmother. She said that there is a net of stories that surrounds the world and connects all people. Storytellers can reach up and grab a piece of the net of story, and the story itself comes through the storyteller. The story net surrounds the teller and listeners, and brings all of us together into the world of the story for a time. It may sound far-out and inaccessible, but according to Ane Carla, the start of the practice is simple: outlining the core images and sensations of a story and committing them to memory.

Each student selected one story to learn and tell to the rest through the afternoon and evening. Some of us were already practiced storytellers, and performed entertaining and elucidating stories. Some of us started shakily, and then we might have felt the net take hold and the story began flowing of its own accord, spellbinding as effectively as the well-practiced stores. We told stories long into the night.