Flying Blind

This week Native Eyes met at Abbott's Lagoon, where the Marin County Tracking Club usually meets. The wind was howling and singing over the sand, so strongly in places that the tracks there would age to nothing in a matter of minutes. We spent the day playing with trailing and interpretation on these shifting dunelands.



Two fresh deer trails greeted us on the flat. We started trailing easily, but slowed to a crawl in more difficult substrates. We could see no tracks in the springy rushes, though our instructors pointed them out at times.



We wound up dividing, and each following our own ideas about trailing deer. One group felt compelled to run up the dunes. They looked down at the sand somewhere near the crest, and found fresh deer tracks galloping away from them. The crisp sidewalls of the tracks crumbled down as they watched. Keeping on the trail, they found it converging with those of other deer in the dunegrass, and followed until we were called back.

We took a brief intermission to eat lunch and look at the copious local otter sign. Here they've rolled in the grass and left lots of little snotty splats all around.



After our lunch and otter wander, we came back to a fascinatingly fun game on the sand flats. As we all turned our backs, three instructors walked around and did something, interacting with each other, in a pre-designated area. They retreated to one side of the outlined area and called us back. It was our job, then, to tell the story of what went on. After successfully interpreting the first simple turn-around in the sand, I felt effectively blind to the rest of the hidden story in the tracks. But after careful study and then relaxing into Owl Eyes (also known as wide-angle vision), I could start to put the story together. With all of us students helping each other out, the blind leading the blind, we found many (but not all) of the answers.



The next morning our dark-to-dawn bird sit attracted only the hardiest participants. We fox-walked through the steady drizzle, the feintest indigo of predawn and sensitive feet guiding us through the dark to our sit spots. The birds chorused with chips when it was still too dark to see them and then went about their business of feeding in the soggy brush with only a few notes of song. We were called in by a coyote howl after what seemed to be an uncharacteristically short time. Perhaps I'm starting to like going out before my morning tea, sitting in the dark and cold, and trying to listen for sparrow alarms? In any case, we gathered in the greenhouse to map what we heard and eat our well-earned breakfast. As always, some interesting patterns of alarm and silence emerged.

Earlier in the week, in our evening talk, Jon Young had introduced a practice called "Renewal of the Creative Path," inspired by the Haudenosaunee midwinter festival in which the Iroquois people renew their understanding of themselves, their connection to nature, their path in life, and their lineages. The Renewal process seems kind of like journaling and new years resolutions on steroids. I'm excited to begin. In preparation for the first part of Renewal, in which one reviews moments in one's life that exemplify connection to the Earth and nature, we launched into an exercise intended to get us out of our analytical minds and into our senses: a blindfolded Drum Stalk.

We had to find the drum, which beat from a far-off meadow. And we had to somehow keep our clans together as we walked blindly through brush and bramble. Many toes picked up many thorns on the way, some unfortunates became tangled in willow thickets, and some stepped off streambanks into thin air. We walked blind across two meadows, through brush, and over a creek. We scrambled up the creekbank to the drum, bruised, scratched, bumped and muddy, and electrically alive with sensory awareness. All clans had all members accounted for in the end.