Story Tracking

This week we were greeted by a grisly character as we arrived at Venture. He'd been found dead on the road, and retrieved by a fellow NE-er for our edification. Take a closer look at those incredible feet! We considered skinning him and tanning his fur, but our mentor's stories of these animals burrowing into carcasses and carrying botulism bacteria on their fur deterred us.

Our mission this week was to return to Running Pig Ravine and fill in some more data on the pig's whereabouts and habits. We broke into hunting parties again, and I found myself in the company of Josh Lane of the Shikari Tracking Guild and Carl Keller of the Ozark Tracker Society. We trailed and dawdled and were generally the slowest, most distracted party on the landscape.



We wandered across open bunchgrass prairie dotted with pines and came to the edge of one of the ravines. This one needs a different name, since Running Pig Ravine, to the south, has most of the pig sign. As we tested the edge of the ravine for ways down through the brush, three barn owls ghosted out of the pines, one after the other. They swooped low over the ravine and landed, invisible again, in the willows. Under the trees, the earth (and some limbs) were speckled with pellets. Splat! Might this ravine be christened Owl Pellet Palace?


We crossed the ravine and came to the next, our Pig place. Walking toward the edge, one of our party felt his attention drawn repeatedly to a lone pine. "Think someone could be hiding on us in there?" he wondered. I supposed that it was possible, so we approached.


We found no watchers, only a squeaky branch. I stood pondering what could have drawn us over, when the others pointed at something near my feet. A mound of pine needles sat at the point of an eight-or-more-inch-on-a-side triangle of scraped-up pine duff. Further under the tree we saw similar patterns of scrapes. We crawled around under the pine and sniffed the mounds until we found one that still held a sharp urine odor. I'm left wondering if our Shikari Trackers have cougar radar. Or was it just the squeaky branch that drew his attention?


With a mental note to return with a trail camera to that spot, we continued down into Running Pig Ravine, hoping for more pig stories. At the bottom, we found deep troughs in the ground with pig bristles stuck in the mud.



We picked out the tracks to finally reveal some decently clear pig tracks. Look closely to see the dewclaw impressions behind and out to the sides of the heels.


Back at the top, on the northern lip of the ravine, we were treated to a profusion of pig poo. How could we have just walked past this much scat on our way down?


The sky and sea lit up silver as we headed home.


We brought back so many stories from the land that our debrief session with our mentors ran late, and for the first time we willingly skipped our routine of cooking on a primitive-made fire that night. I was happy to have had such a good series of questions from our mentors, and I also felt the loss of fire as one of my best teachers for that night. The next day, in conversation with one of our mentors, I committed to keeping the routine of fire-by-friction alive for the rest of the year.

The next day was devoted to story, with Native Eyes, RDNA Essentials, and Cultural Mentoring all staying at Venture to learn from Ane Carla Rovetta. Ane Carla told us stories from indigenous cultures around the world, and stories of her own storytelling adventures. She shared an outlining technique that helped us take written stories from her vast collection of books and turn them into performable pieces of oral story. The key, as far as I can remember, is to outline the story so that it becomes a series of images and other sensations in one's mind's eye. The more vivid the sensations, the more the story tells itself.

Ane Carla even told us a story about stories, given to her by an indigenous storyteller from the storytellers grandmother. She said that there is a net of stories that surrounds the world and connects all people. Storytellers can reach up and grab a piece of the net of story, and the story itself comes through the storyteller. The story net surrounds the teller and listeners, and brings all of us together into the world of the story for a time. It may sound far-out and inaccessible, but according to Ane Carla, the start of the practice is simple: outlining the core images and sensations of a story and committing them to memory.

Each student selected one story to learn and tell to the rest through the afternoon and evening. Some of us were already practiced storytellers, and performed entertaining and elucidating stories. Some of us started shakily, and then we might have felt the net take hold and the story began flowing of its own accord, spellbinding as effectively as the well-practiced stores. We told stories long into the night.